How Zionists shape global opinion

The Zionist owned Music Industrial Complex works with the Zionist Media Industrial Complex to control a narrative in which protesting baby murder is terrorism and baby murder is not.

Bob Vylan singer, Bobby Vylan on stage in Glastonbury, backed by drummer Bobbie Vylan. Not pictured.

Many years ago I learned the extent to which music is a mirror of society. Music as a source of information that informs the developing mind in a uniquely significant way. In many instances, introducing political, ideological, philosophical, ethical and social values that set the developing young mind on a course that lasts a lifetime.

The extent to which popular music reflects social behaviors in an ontological sense; aspirations, opinions, loyalties, spending habits, idealism and ethical balance, cannot be overstated.

The vehicle of popular music is a propagandizing force capable of establishing an ideological bias in the unprepared mind of a young person that once formulated, will, often, remain in place for life.

The extent to which music and the wider genre of arts; cinema, theatre, art, sculpture and any form of entertainment engaging a subjective emotional response, can be weaponized to serve an indoctrinating purpose for a specific ideology or commercial interest, is easier than you might think.

AI sums up ‘How does Popular Music mirror society” rather well.

Popular Music is used to express thoughts, provoke discussions, and inspire change by addressing societal issues in a form of social commentary most accessible to young minds. Music plays a significant role in social and political movements, serving as a rallying cry and uniting people around a common cause.

Examples include: The Civil Rights Movement in the US / The Anti-Vietnam War protests /The Anti-apartheid movement in South Africa /The Black Lives Matter movement / The Christian movement in the USA / The Dumbing Down of Youth movement / and The Global Zionist Baby-Murder movement.

Music helps individuals form and express their identities. Music helps individuals reflect the identities mirrored for them in the music. Music strengthens collective identities through shared experiences. Music can challenge societal norms and promote alternative perspectives leading to a globalization and cultural exchange in which the interconnectedness of the modern world is reflected in the blending of narratives presented through the vehicle of popular music towards one conformist designer outcome.

In one line summary; Control the popular music portal directing the minds of young people and you can shape their political and social views for the rest of their lives.

He who controls the Music and Entertainment portals decides what will become popular in Music and Entertainment influences for each generation.

I wrote a historical chronology of how the Music Industrial Complex Monopolized censorship of free music recently, providing context for how we arrived at this place where that deciding lever of influence, that gateway into affecting the ability to apply critical thinking by young people, is controlled almost entirely by one extremely small sector of the population.

A small minority, a chosen few, who have arrived in this position of enormous and disproportionate influence not by coincidence, but by design. Largely without mention of who they are outside of the industry they control.

The music business by and large has a few portals through which any artist must pass in order to achieve popularity. Both as a live act or in recorded works in sound and vision.

As I discuss in my Music Industrial complex piece, the single defining difference between perception and reality in who is popular and why, is that merit plays any role in popularity.

The notion that kids like music because it resonates with their idea of what they like in a music business that responds to what kids like and provides a supply to that demand curve; rather than; a formulaic methodology creating content for a specific propagandizing purpose in which kids like what they are told to like. For a variety of reasons.

In almost 100% of examples I will spare you from citing, the Music Industrial Complex formulates content to a prescribed narrative that hijacks young developing minds in a fashion that is deeply sinister. Popularity is not what it appears to be in the previous process in which people liking something made it popular on its own merit.

The popular music stars are not massive because they assist young people to think for themselves.

This past week has seen the a new high bar in the how a weaponized Music Industrial Complex works in concert with a militarized Media Industrial Complex to control 100% of the News cycle narrative in a fashion that 1.) Makes baby murder normal and legal and 2.) Makes protesting baby murder illegal; worthy of terrorism charges.

At the famous Glastonbury show, musical acts compete to enjoy the enormous visibility this event provides. Crowds of some 400,000 for the live shows plus many million on the BBC who screen the event live to an enormous audience. In many cases this elevates new musical acts to lucrative advantage or restores legacy acts to the fortunes few other promotional outlets have to offer.

Getting to perform on this coveted stage takes some doing. There is a considerable competition for slots on the Live stages as well as the TV scheduling. Who controls that booking process and then, who controls the BBC screening process. The answer is not to be found in one name.

The process is an industry. With many layers in a hierarchy of control in which the decisions are not necessarily related to popularity so much as the deals done by the layer at the top of this industry.

I’ll mention just four names in this example story, whose influence in the process is significant. The more you learn about just how significant, the more astonishing it becomes when considering the enormous, unregulated power these four have to direct opinions. Not just for successfully selling one product, one time - but for formulating the ideology and political views of young people that will keep them on track to obey that programming until adulthood and beyond.

The top of the influencing tree in how opinions are shaped by Music and the Entertainment Complex includes: Lucian Grainge, 65, and the UTA trio of Jeremy Zimmer, 67, Jim Berkus, 79, and Paul Wachter, 69.

In the run up to this years show, the Irish trio KNEECAP were booked to play Glastonbury. Serial baby-murdering blockader, the British establishments pick for Zionist PM, Sir Kid Starver was so outraged by news of this Gaelic band from Northern Ireland being booked at a British music concert, he was moved to speak to the SUN Newspaper.

In an interview with the Sun, Labour Leader Starmer was asked if he thought the trio should perform at Glastonbury. “No, I don’t, and I think we need to come down really clearly on this. This is about the threats that shouldn’t be made, I won’t say too much because there’s a court case on, but I don’t think that’s appropriate.”

Earlier on Saturday the famous Zionist Conservative party leader challenging to become Leader of the UK, Lagos educated Kemi Badenoch, 45, said she thought the BBC “should not be showing” Kneecap’s performance at the festival.

In a post on X, accompanied by an article from the Times that claimed the BBC had not banned the group, Badenoch said: “The BBC should not be showing Kneecap propaganda. One Kneecap band member is currently on bail, charged under the Terrorism Act. As a publicly funded platform, the BBC should not be rewarding extremism.”

Corruption in Nigeria, where Badenochs mother was born, and where she was raised and educated, after her mother traveled to the UK to give birth, is endemic. Olukemi Olufunto "Kemi" Adegoke was born on January 2, 1980 in Wimbledon, London. Her mother Feyi had traveled from Nigeria to the United Kingdom for medical treatment, and gave birth. This was shortly before the British Nationality Act 1981 abolished automatic birthright citizenship for those born in the UK. Feyi then returned to Nigeria shortly after Olukemi was born. In later interviews Badenoch denied claims she was an "anchor baby" and asserted that her family did not know she was in fact eligible for a British passport until she was a teenager. Now she is in line to become the UK’s first Black Nigerian-origin Zionist Prime Minister.

Badenoch previously called for the group to be banned from Glastonbury. Last year Kneecap won a discrimination case against the UK government in Belfast high court after Badenoch tried to refuse them a £14,250 funding award when she was a minister in the previous Zionist government of Rishi Sunak.

Mo Chara who protests mass baby murder in song is charged with terrorism by the government actively killing babies in industrial quantities, as well as by the opposition party.

This is not a sentence that I ever imagined I would write outside of satire.

“The Music Industry has become a place where a young musician protesting mass baby murder is arrested by the mass baby murderers actively murdering babies daily, and charged with Terrorism.”

Despite both Zionist parties attempting to thwart the plucky Irish Lad efforts to entertain the Glastonbury faithful on stage and on the BBC, the show went on. Live at least, although not on the BBC whose Zionist baby-murder charter required they pull the plug. Which of course they did.

“The prime minister of your country, not mine, said he didn’t want us to play, so fuck Keir Starmer” said O’Hanna, who appeared on stage wearing his trademark Palestinian keffiyeh in front of the capacity crowd, including many people waving Palestinian flags.

“This situation can be quite stressful but it’s minimal compared to what the Palestinian people are facing,” O’Hanna, who performs under the name Mo Chara, referring to the backlash the band has faced for its outspoken support of Palestinians in Gaza.

O’Hanna, 27, is facing charges under the British Terrorism Act of supporting a proscribed organization for waving a flag of Lebanon’s Hezbollah group at a concert in London in November last year.

The Zionist Government’s KNEECAP persecutions in support of their endless baby murder manifesto has had a curious counter effect in which a fringe Irish language (Gaelic) Rap Trio are very suddenly enjoying enormous popularity for not following the rule to remain silent about the genocide or face financial ruin and legal persecutuon..

Achieving popularity in a Zionist Music Industrial Complex operating within a Zionist Media Industrial Complex, monetizing compliance by submissive artists famous for something other than music merit, is both unusual and telling. Despite the best efforts of an industry who have successfully silenced every artist with a narrative threatening the Zionist right to endless baby murder, Kneecap’s popularity has soared.

In supply and demand terms this means there is clearly a demand among young people for the narrative Kneecap sell.

The Kneecap story is interesting for many reasons; mostly because they had good fortune with timing; arriving on Stage at Coachella in the age of social media where their message resonated on a trending basis. Mass baby murder is legal. Protesting mass baby murder is not.

When the BBC cancelled the KNEECAP feed to Live TV, they switched to another stage where a pretty harmless sounding duo were to perform under the name of Bob Vylan.

Bob Vylan are an English duo based in London. They are represented by United Talent Agency. UTA was established in 1991 by Jeremy Zimmer and Jim Berkus. UTA Chairman is Paul Wachter. These are three of the four most influential people in formulating and directing the opinions of young people via the Music Industrial Complex.

UTA represents music artists as well other professionals across the entertainment industry as a powerhouse of management with a client list that includes many of the most influential Zionists in the world of music. Collectively these three Jewish business men rank high on The Hollywood Reporter's list of the "most powerful people in entertainment".

Their client representation, in addition to Bob Vylan, includes: U2 Zionist singer Bono, Arnold Schwarzenegger, LeBron James, Beats by Dre co-founder Jimmy Iovine, Drake, Billie Eilish, Tom Werner, Chairman of the Boston Red Sox, Liverpool Football Club, Joel and Ethan Coen, Harrison Ford, Owen Wilson, Michael Douglas, Liev Schreiber, Mariah Carey, Bryan Cranston, DJ Khaled, Chelsea Handler, Kevin Hart, Anthony Hopkins, Jim Carrey, Dave Chappelle, Will Ferrell, Ben Stiller, Glenn Beck, Megyn Kelly, Lara Logan, David Muir, Bill O'Reilly, Bob Schieffer, and Bob Simon. Johnny Depp, Angelina Jolie, and Gwyneth Paltrow. Fareed Zakaria, Anderson Cooper, Jen Psaki, Jake Tapper and Ryan Seacrest. Kylie Minogue. Burna Boy. Ethan Hawke. Jessica Alba.

In 2016 United Talent Agency filled more than 40 slots at Glastonbury festival.

In November 2023, Susan Sarandon was dropped by the agency for her remarks at a rally stating "There are a lot of people afraid of being Jewish at this time, and are getting a taste of what it feels like to be a Muslim in this country, so often subjected to violence."

By not screening KNEECAP, the moment arrived for Bob Vylan, when they were Live on the BBC iPlayer. What followed has seen their popularity soar in ways their management, UTA could never have enabled, or foreseen.

Bobby Vylan, natty dread singer, and Drummer Bobbie Vylan.

Bob Vylan is made of two Bobs. Bobby Vylan, is Pascal Robinson-Foster, 34, from Ipswich. Bobby V is a serious musician with a poets background. He is the singer with the Natty Dreads. Bobbie Vylan, the mysterious drummer is his sideman. They have made four albums since 2019.

Common threads in their songs include social and political issues such as racism, police violence, economic inequality, access to healthy food, gentrification, mental health, fatherhood, late-stage capitalism, homophobia, toxic masculinity, Britain's political hypocrisy, and the pharmaceutical industry.

Thematically the struggles of being a black man in Europe are recurring in every album. This includes the mental health struggles of black men, institutional racism that contributes to poverty in black communities, the threat of police, and the struggles of being a black parent in a world that threatens your children.

Vylan does affirmations with his daughter. “I do affirmations with my daughter in the mirror before I take her to school. I say, repeat after me: ‘I’m Black, I’m beautiful. Brown skin is beautiful, my lips are beautiful, and my eyes are beautiful. I’m loved and I love.’ I do those things to instill a sense of pride and self-worth.”

Bobby Vylan led the packed crowd with his now legendary chant. After leading a round of "free, free Palestine" he announced. Here’s a new one. And introduced "death, death to the IDF". The crowd loved it. A superstar was born. Social Media versions of this performance went viral. Although some criticized his IDF reference, believing he should have used the more honest IGF.

In no time at all three things happened.

1.) UTA dropped Bob Vylan, along with all traces of the Band from their website. Whatever contract they had was now null and void. The Zionist contract is all that matters. In the duos Saturday performance Bobby Vylan mentioned working for a "fucking Zionist" suggesting he may have already distanced himself from UTA.

2.) British Zionist reaction led with; “punk-rap duo Bob Vylan is now under a criminal investigation in the U.K. after its lead singer, whose stage name is Bobby Vylan, led chants of "Death, death to the IDF" — referring to the Israeli military — during a Glastonbury set.

Because of the reading age British Press is written for, they needed to explain that the “IDF” is the “Israeli Military”. Otherwise their reader base could not realistically or reasonably be expected to have known.

One opposition lawmaker from team Badenoch, The Right Honourable Chris Philp, 49, called for the BBC to be prosecuted. The Oxford educated Conservative member of Parliament wrote on Twitter; "By broadcasting Bobby Vylan's vile hatred, the BBC appear to have also broken the law… Our national broadcaster should not be transmitting hateful material designed to incite violence and conflict."

In a statement on Monday, the BBC said it regretted not pulling away from the livestream. It said, "The anti-semitic sentiments expressed by Bob Vylan were utterly unacceptable" and added that it "respects freedom of expression but stands firmly against incitement to violence."

Lord Ian Austin,the Zionist Government's trade envoy to Israel, a life peer whose adoptive father, Fred was a Czech Jew who was himself adopted by an English family on the Nazi invasion of Czechoslovakia, said: 'The police should investigate as a matter of urgency and, if necessary, arrest the band members.'

Quite how all the Government spokesmen condemning Bob Vylans right to protest mass baby murder are Zionist is a mystery of Zioeptism. Neptism for those born Zionist or converted to Zionism by commercial motivation.

3.) The US Zionist lobby reacted predictably. Bob Vylan were booked to perform in the U.S. later this year but Jewish Zionist Deputy Secretary of State Christopher Landau wrote on X that the members of Bob Vylan would have their visas revoked, adding, "Foreigners who glorify violence and hatred are not welcome visitors to our country."

Reaction by the Zionist minority to the Bobs anti baby murder protest has been predictable. The outcome will be what it always is. A culture of baby murderers who choose baby murderers as leaders to murder babies are baby murderers. That has always been the case with baby murder.

When you actively murder babies, either by starvation, by a bullet to the head or heart, by one or more 2,000-Pound bombs dropped by F-16 on their cribs, or even by shutting off the electricity to premature baby Incubators in the way Biden did at Al Shifa Hospital in November of 2023, then claiming you are not a baby murderer because HAMAS are, may not meet the low bar credibility stress-test in any legitimate Court of law in which; when you murder babies you are a baby murderer.

When you murder babies then you are a baby murderer. In the first degree. There is always premeditation when the outcome of your planned action is the death of a baby.
When you vote for leaders to mass murder babies, you are a mass murderer of babies. Simple legal outcome every time people vote for mass baby murder. If you claim you voted for baby murderers because you didn’t know they were mass murdering babies, or because, HAMAS were mass murdering those babies, not our Zionist Leaders, then you are a baby murderer with an inordinately low IQ.

When you see a predominantly Jewish, entirely Zionist leader class trying to continue their mass baby murder spree by persecuting those offended by mass baby murderers, then the end is near, not only for the baby murderers, but for the entire planet.

Humanity cannot survive the lawlessness in which baby murderers make the laws indemnifying themselves to keep on murdering babies indefinitely.

”Two ways this ends, I’ll share both ways with you.
One is extinction, ones Nuremberg Two.”
Logan Twain

Two, by Logan Twain is available for download on Amazon Music. Logan Twain is not represented by UTA.